“Taking the F-sharp in the left hand eliminates a the position shift after the trill.
Submitted by Michael Clark
Published on 1/1/2020
“I choose to play this trill with the right hand. The left then takes over for the chords, freeing the top voice for additional ornamentation.”
Submitted by Michael Clark
Published on 1/1/2020
“Taking the C in the left hand frees the right hand to use a more brilliant fingering (1 on G and 3 on F-sharp) for the trill.”
Submitted by Michael Clark
Published on 1/1/2020
“The left hand can assist this descending line to ensure a graceful conclusion.”
Submitted by Michael Clark
Published on 1/1/2020