“Taking the alto line in the left hand frees the right for an expressive triplet that matches the singer without worrying about a polyrhythm within one hand.”
Submitted by Michael Clark
Published on 3/17/2020
“Taking the alto line in the left hand frees the right for an expressive triplet that matches the singer without worrying about a polyrhythm within one hand.”
Submitted by Michael Clark
Published on 3/17/2020
“The left hand has been playing octaves already, so it’s simpler to continue that pattern.”
Submitted by Michael Clark
Published on 3/17/2020