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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | In the Land O' Cotton: III. Song without Words: mm. 17–18

 

“Taking the lowest line of the top staff into the left hand in m. 18 allows for smoother legato in all parts and better voicing of the melody.”

Submitted by Michael Clark

Published on 9/5/2023

 
Solo PianoMichael ClarkJuly 29, 2017Florence Price, In the Land O' Cotton, Michael Clark, redistribution, improve legato, improve voicingComment
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PRICE | In the Land O' Cotton: III. Song without Words: mm. 11–16

Solo PianoMichael ClarkJuly 29, 2017Florence Price, In the Land O' Cotton, Michael Clark, redistribution, improve legato, facilitate clearer pedaling, sustain bass note
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PRICE | In the Land O' Cotton: III. Song without Words: mm. 25–29

Solo PianoMichael ClarkJuly 29, 2017Florence Price, In the Land O' Cotton, Michael Clark, redistribution, avoid roll, facilitate clearer pedaling, improve legato
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