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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | Were You There When They Crucified My Lord?: mm. 8–10

 

“Taking this alto note in the left hand allows the right hand to better align behind the melody notes, promoting a more singing tone.”

Submitted by Michael Clark

Published on 9/2/2023

 
Solo PianoMichael ClarkJuly 19, 2017Florence Price, Were You There, Negro Spirituals Arranged for Piano, Michael Clark, redistribution, improve voicing, use stronger fingersComment
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PRICE | Swing Low, Sweet Chariot: mm. 13–14

Solo PianoMichael ClarkJuly 19, 2017Florence Price, Swing Low Sweet Chariot, Negro Spirituals Arranged for Piano, Michael Clark, redistribution, isolate melody
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PRICE | Were You There When They Crucified My Lord?: mm. 22–23

Solo PianoMichael ClarkJuly 19, 2017Florence Price, Were You There, Negro Spirituals Arranged for Piano, Michael Clark, redistribution, divide more evenly between hands, improve legato
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