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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | Barcarolle: mm. 51–52

 

“I take the F-sharps at the end of m. 51 as an octave to allow the left hand plenty of time to shift. The redistributions in m. 52 allow each hand to maintain the same position.”

Submitted by Michael Clark

Published on 9/12/2023

 
Solo PianoMichael ClarkJuly 27, 2017Florence Price, Barcarolle, Michael Clark, redistribution, facilitate leap, reduce position shiftsComment
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PRICE | Barcarolle: mm. 44–48

Solo PianoMichael ClarkJuly 27, 2017Florence Price, Barcarolle, Michael Clark, redistribution, reduce position shifts, maintain technical pattern
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PRICE | Barcarolle: mm. 56–57

Solo PianoMichael ClarkJuly 27, 2017Florence Price, Barcarolle, Michael Clark, redistribution, final chord, reduce position shifts
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