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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BEN-HAIM | Three Songs Without Words: II. Ballad: mm. 81–86

 

“Ben-Haim’s original note distribution creates awkward crowding between the hands. I use this distribution and position the right hand above the left hand.”

Submitted by Michael Clark

Published on 5/24/2023

 
Chamber MusicMichael ClarkSeptember 30, 2019Paul Ben-Haim, Three Songs Without Words, Michael Clark, redistribution, avoid crowdingComment
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BEN-HAIM: Three Songs Without Words: II. Ballad: mm. 77–80

Chamber MusicMichael ClarkSeptember 30, 2019Paul Ben-Haim, Three Songs Without Words, Michael Clark, avoid crowding, redistribution
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BEN-HAIM | Three Songs Without Words: II. Ballad: mm. 89–94

Chamber MusicMichael ClarkSeptember 30, 2019Paul Ben-Haim, Three Songs Without Words, Michael Clark, reduce reach across body, avoid roll, avoid stretch, redistribution
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