Piano Tricks
Contributors Technical Categories Submit Ideas Search
All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf
Brandwein's Ravel Fingerings
How It Works Who We Are
Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

GERSHWIN | Prelude No. 2: mm. 14–15

 
Piano fingerings for Three Preludes by George Gershwin

“I prefer to take the B and B-sharp in the right hand to allow the bass notes to sustain through pedal changes.”

Submitted by Michael Clark

Published on 1/4/2022

 
Solo PianoMichael ClarkDecember 15, 2018George Gershwin, Three Preludes, Michael Clark, redistribution, facilitate clearer pedalingComment
Facebook0 Twitter 0 Likes
Previous

GERSHWIN | Prelude No. 2: mm. 9–11

Solo PianoMichael ClarkDecember 15, 2018George Gershwin, Three Preludes, Michael Clark, avoid stretch, redistribution, avoid roll
Next

GERSHWIN | Prelude No. 3: mm. 49–50

Solo PianoMichael ClarkDecember 15, 2018George Gershwin, Three Preludes, Michael Clark, redistribution, thumb on two notes, facilitate leap
HomeHow It WorksWho We AreSubmit IdeasRequest Ideas