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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

GERSHWIN | Prelude No. 1: mm. 61–62

 
Piano fingerings for Three Preludes by George Gershwin

“I like how this alternate fingering coordinates groupings in both hands. I recommend playing the last note with 1 or a fist.”

Submitted by Michael Clark

Published on 1/4/2022

 
Solo PianoMichael ClarkDecember 15, 2018George Gershwin, Three Preludes, Michael Clark, fingering only, scale, secure endingComment
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GERSHWIN | Rhapsody in Blue, Rehearsal 5

Piano ConcertoMichael ClarkDecember 20, 2018George Gershwin, Rhapsody in Blue, Chelsea de Souza, avoid crowding, redistribution
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GERSHWIN | Prelude No. 2: mm. 9–11

Solo PianoMichael ClarkDecember 15, 2018George Gershwin, Three Preludes, Michael Clark, avoid stretch, redistribution, avoid roll
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