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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BARTÓK | Piano Sonata (1926): I. mm. 103–6

 

Original:

Piano fingerings for Sonata (1926) by Béla Bartók

Suggested performance:

Piano fingerings for Sonata (1926) by Béla Bartók

“The F-flat grace notes in mm. 105–6 are extremely awkward when played in the right hand. Catching them with left-hand 5 eliminates the crowding.”

Submitted by Michael Clark

Published on 2/13/2022

 
Solo PianoMichael ClarkDecember 12, 2019Béla Bartók, Piano Sonata (1926), Michael Clark, redistribution, avoid crowding, awkward passagework, grace note(s), avoid hand crossingComment
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BARTÓK | Piano Sonata (1926): I. mm. 53–55

Solo PianoMichael ClarkDecember 12, 2019Béla Bartók, Piano Sonata (1926), Michael Clark, reduce position shifts, redistribution, maintain technical pattern
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BARTÓK | Piano Sonata (1926): I. mm. 108–11

Solo PianoMichael ClarkDecember 12, 2019Béla Bartók, Piano Sonata (1926), Michael Clark, avoid crowding, redistribution, grace note(s), avoid hand crossing
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