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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

DEBUSSY | Images, Book I: Reflets dans l'eau: mm. 36–37

 
Images.I.36-37.png

“Letting the left hand thumb start the final group of triplets allows a more comfortable fingering for the remainder of the passage.”

Submitted by Michael Clark

Published on 7/30/2021

 
Solo PianoMichael ClarkFebruary 20, 2019Claude Debussy, Images (Book 1), Michael Clark, redistribution, awkward passageworkComment
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DEBUSSY | Images, Book I: Reflets dans l'eau: mm. 30–31

Solo PianoMichael ClarkFebruary 20, 2019Claude Debussy, Images (Book 1), Michael Clark, redistribution, awkward passagework, all black keys
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DEBUSSY | Images, Book I: Reflets dans l'eau: mm. 38–39

Solo PianoMichael ClarkFebruary 20, 2019Claude Debussy, Images (Book 1), Michael Clark, redistribution, wide arpeggio, avoid stretch
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