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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

POULENC | Sextet, FP 100: I. mm. 68–71

 
Piano fingerings for Sextet for Flute, Oboe, Clarinet, Bassoon, Horn, and Piano , FP. 100, by Francis Poulenc

“Taking the A in the left hand allows a simpler fingering in the top line.”

Submitted by Michael Clark

Published on 4/4/2020

 
Chamber MusicMichael ClarkAugust 6, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, avoid stretch, redistribution, improve legatoComment
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POULENC | Sextet, FP 100: I. mm. 64–65

Chamber MusicMichael ClarkAugust 6, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, avoid crowding, improve legato, redistribution
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POULENC | Sextet, FP 100: I. mm. 230–31

Chamber MusicMichael ClarkAugust 6, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, facilitate page turn, redistribution, avoid stretch
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