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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BEETHOVEN | Sonata in D Minor, Op. 31, No. 2: II. mm. 31–32

 
Piano fingerings for Sonata in D Minor, Op. 31, No. 2, ("Tempest") by Ludwig van Beethoven

“My voicing of the melodic line improves when I play the top F alone and play the bottom F in the left hand.”

Submitted by Michael Clark

Published on 4/18/2020

 
Solo PianoMichael ClarkOctober 18, 2019Ludwig van Beethoven, Michael Clark, isolate melody, improve voicing, redistribution, Piano Sonata in D Minor (Op. 31/2)Comment
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BEETHOVEN | Sonata in D Minor, Op. 31, No. 2: II. mm. 19–21

Solo PianoMichael ClarkOctober 18, 2019Ludwig van Beethoven, Michael Clark, Silent hand transfer, facilitate ornament, isolate melody, redistribution, Piano Sonata in D Minor (Op. 31/2), facilitate clearer pedaling, use stronger fingers
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BEETHOVEN | Sonata in D Minor, Op. 31, No. 2: II. mm. 50–51

Solo PianoMichael ClarkOctober 18, 2019Ludwig van Beethoven, Michael Clark, double notes, improve legato, redistribution, Piano Sonata in D Minor (Op. 31/2)
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