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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

STRAUSS | Eight Poems, Op. 10: VIII. Allerseelen: mm. 21–24

 

“Often the highest notes of the left hand line is already within the right hand’s grasp, so I prefer to let the right hand play them.”

Submitted by Michael Clark

Published on 4/13/2020

 
Art SongMichael ClarkApril 13, 2016Richard Strauss, Eight Poems (Op. 10), Michael Clark, art song, reduce position shifts, redistribution, AllerseelenComment
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STRAUSS | Eight Poems, Op. 10: VIII. Allerseelen: mm. 12–13

Art SongMichael ClarkApril 13, 2016Richard Strauss, Eight Poems (Op. 10), Michael Clark, art song, double thumb, reduce position shifts, redistribution, Allerseelen
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STRAUSS | Five Songs, Op. 15: V. Heimkehr: mm. 1–4

Art SongMichael ClarkApril 13, 2016Richard Strauss, Michael Clark, arpeggios, art song, reduce position shifts, redistribution, Heimkehr
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