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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

RODRIGO | Cuatros madrigales amatorios: III. ¿De dónde venís, amore?: mm. 15–16

 
Piano fingerings for ¿De dónde venís, amore? from Cuatros madrigales amartorios by Joaquín Rodrigo

“Taking these two notes in the left hand allows the right hand just enough time to prepare for the grace notes.”

Submitted by Michael Clark

Published on 4/13/2020

 
Art SongMichael ClarkMarch 20, 2017Joaquín Rodrigo, Cuatros madrigales amatorios, Michael Clark, art song, facilitate ornament, redistributionComment
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RAVEL | Piano Concerto in G Major: II. mm. 2–5

Piano ConcertoMichael ClarkApril 2, 2017Maurice Ravel, Piano Concerto in G Major, Ben Pawlak, wide accompaniment pattern, redistribution
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ROSSINI | Les soirées musicales: V. L'invito (Bolero): mm. 10–11

Art SongMichael ClarkMarch 13, 2017Gioachino Rossini, Les soirées musicales, Michael Clark, art song, facilitate leap, redistribution
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