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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

RAVEL | Cinq mélodies populaires grecques: V. Tout gai!: mm. 29–30

 
Piano fingerings for Tout gai! from Cinq mélodies populaires grecques by Maurice Ravel

“I prefer these E-flats in the right hand so that I can prepare better for the position of the following measure.”

Submitted by Michael Clark

Published on 4/13/2020

 
Art SongMichael ClarkApril 20, 2017Maurice Ravel, Cinq mélodies populaires grecques, Michael Clark, art song, facilitate leap, redistributionComment
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RAVEL | Cinq mélodies populaires grecques: V. Tout gai!: mm. 20–21

Art SongMichael ClarkApril 20, 2017Maurice Ravel, Cinq mélodies populaires grecques, Michael Clark, art song, avoid hand crossing, reduce position shifts, redistribution, avoid crowding
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RAVEL | Gaspard de la nuit: Ondine: mm. 13–17

Special Collection, Solo PianoMichael ClarkApril 15, 2017Maurice Ravel, Gaspard de la nuit, Ondine, Dorothy Brandwein, redistribution, awkward passagework, maintain technical pattern, reduce position shifts, double notes
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