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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

FAURÉ | Cinq mélodies, Op. 58: I. Mandoline: mm. 10–13

 
Piano fingerings for Mandoline (Cinq mélodies, Op. 58) by Gabriel Fauré

“Keeping the accompaniment figure in the left hand in m. 12 helps the melody line to be more legato.”

Submitted by Michael Clark

Published on 3/17/2020

 
Art SongMichael ClarkJanuary 10, 2019Gabriel Fauré, Cinq mélodies (Op. 58), Michael Clark, art song, avoid stretch, isolate melody, reduce position shifts, separate polyrhythmComment
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FAURÉ | Valse-Caprice No. 1 in A Major, Op. 30: mm. 169–76

Solo PianoMichael ClarkJanuary 20, 2019Gabriel Fauré, Valse-Caprice No. 1, John Patrick Murphy, redistribution, arpeggios, uncross, avoid crowding, reduce position shifts, avoid finger crossing
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FAURÉ | Cinq mélodies, Op. 58: I. Mandoline: mm. 16–22

Art SongMichael ClarkJanuary 10, 2019Gabriel Fauré, Cinq mélodies (Op. 58), Michael Clark, art song, reduce position shifts, redistribution
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