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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

MARTINU | Sonata for Flute, Violin, and Piano, H. 254: I. mm. 57–58

 
Piano fingerings for Sonata for Flute, Violin, and Piano, H. 254, by Bohuslav Martinu

“Taking the G as an octave in the left hand eliminates unnecessary position shifts in the right hand.”

Submitted by Michael Clark

Published on 3/12/2020

 
Chamber MusicMichael ClarkJanuary 13, 2018Bohuslav Martinu, Michael Clark, reduce position shifts, redistribution, Sonata for Flute–Violin–Piano (H. 254)Comment
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MARTINU | Sonata for Flute, Violin, and Piano, H. 254: I. mm. 31–33

Chamber MusicMichael ClarkJanuary 13, 2018Bohuslav Martinu, Michael Clark, reduce position shifts, wide accompaniment pattern, redistribution, Sonata for Flute–Violin–Piano (H. 254)
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MARTINU | Sonata for Flute, Violin, and Piano, H. 254: I. 60–62

Chamber MusicMichael ClarkJanuary 13, 2018Bohuslav Martinu, Michael Clark, improve legato, redistribution, Sonata for Flute–Violin–Piano (H. 254)
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