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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

PRICE | Dances in the Canebrakes: Nimble Feet: mm. 1–2

 
Piano fingerings for Dances in the Canebrakes: Nimble Feet by Florence Price

“The accented B comes through more clearly when I play it with the right hand.”

Submitted by Michael Clark

Published on 10/4/2020

 
Solo PianoMichael ClarkJuly 4, 2017Florence Price, Dances in the Canebrakes, Michael Clark, redistribution, clear articulationComment
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PRICE | Scenes in Tin Can Alley: III. Night: mm. 68–69

Solo PianoMichael ClarkJuly 5, 2017Florence Price, Scenes in Tin Can Alley, Michael Clark, redistribution, divide more evenly between hands, improve legato, improve voicing
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PRICE | Dances in the Canebrakes: Nimble Feet: mm. 51–56

Solo PianoMichael ClarkJuly 4, 2017Florence Price, Dances in the Canebrakes, Michael Clark, redistribution, maintain technical pattern, alternating hands
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