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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

POULENC | Sextet, FP 100: III. mm. 25–27

 

“In most editions, the first two measures shown here are separated by a page turn. Taking most of the notes in the right hand allows the left hand to turn the page.”

Submitted by Michael Clark

Published on 1/6/2020

 
Chamber MusicMichael ClarkAugust 5, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, facilitate leap, facilitate page turn, redistributionComment
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POULENC | Sextet, FP 100: III. mm. 19–22

Chamber MusicMichael ClarkAugust 5, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, divide more evenly between hands, redistribution
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POULENC | Sextet, FP 100: III. mm. 27–30

Chamber MusicMichael ClarkAugust 5, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, break up running passage, redistribution, reduce position shifts, avoid finger crossing
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