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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

POULENC | Sextet, FP 100: III. mm. 15–17

 

“The E can be easily reached by the left hand, avoiding a stretch in the right hand that would disrupt the legato connection in the melody.”

Submitted by Michael Clark

Published on 1/6/2020

 
Chamber MusicMichael ClarkAugust 5, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, avoid stretch, redistribution, improve legatoComment
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POULENC | Sextet, FP 100: III. mm. 7–10

Chamber MusicMichael ClarkAugust 5, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, isolate melody, divide more evenly between hands
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POULENC | Sextet, FP 100: III. mm. 19–22

Chamber MusicMichael ClarkAugust 5, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, divide more evenly between hands, redistribution
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