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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

POULENC | Sextet, FP 100: I. mm. 248–50

 

“Finishing with an octave in the right hand is more secure.”

Submitted by Michael Clark

Published on 1/6/2020

 
Chamber MusicMichael ClarkAugust 6, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, final octave, redistributionComment
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POULENC | Sextet, FP 100: I. mm. 230–31

Chamber MusicMichael ClarkAugust 6, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, facilitate page turn, redistribution, avoid stretch
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POULENC | Sextet, FP 100: II. mm. 6–7

Chamber MusicMichael ClarkAugust 6, 2017Francis Poulenc, Sextet (FP 100), Michael Clark, avoid stretch, redistribution, improve legato
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