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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

LISZT | Sonetto 104 del Petrarca: mm. 61–62

 

“I like to split some of the octaves between the hands for a more legato effect.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkFebruary 25, 2018Franz Liszt, Sonetto 104 del Petrarca, Michael Clark, split octaves, redistributionComment
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LISZT | Sonetto 104 del Petrarca: mm. 52–53

Solo PianoMichael ClarkFebruary 25, 2018Franz Liszt, Sonetto 104 del Petrarca, arpeggios, Michael Clark, double notes, redistribution
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LISZT | Sonetto 104 del Petrarca: mm. 67–68

Solo PianoMichael ClarkFebruary 25, 2018Franz Liszt, Sonetto 104 del Petrarca, Michael Clark, hand crossing, redistribution, choreography
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