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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

WAGNER/LISZT | Isolde's Liebestod: mm. 81–83

 
Piano fingerings for Franz Liszt’s transcription of Isolde’s Liebestod by Richard Wagner

“Taking the D-sharp in the right hand prevents the left hand having to cross over for one note, which I prefer to avoid when possible.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkFebruary 6, 2018Franz Liszt, Isolde's Liebestod, Michael Clark, avoid finger crossing, redistributionComment
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WAGNER/LISZT | Isolde's Liebestod: mm. 22–23

Solo PianoMichael ClarkFebruary 6, 2018Franz Liszt, Isolde's Liebestod, Michael Clark, wide accompaniment pattern, redistribution, facilitate leap
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SCHUMANN/LISZT | Frühlingsnacht: mm. 1–10

Solo PianoMichael ClarkFebruary 2, 2018Franz Liszt, Frühlingsnacht, Michael Clark, avoid crowding, split large chord, wide accompaniment pattern, facilitate clearer pedaling, redistribution
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