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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BACH | Partita No. 1 in B-flat Major, BWV 825: Allemande: mm. 36–38

 

“Taking the B-flat in the right hand relieves the left hand from navigating either a leap or a stretch of a sixth into the remaining sixteenth notes, which I find unreliable at quick tempo.”

Submitted by Michael Clark

Published on 1/27/2020

 
Solo PianoMichael ClarkApril 27, 2020Johann Sebastian Bach, Partita No. 1 in B-flat Major, Michael Clark, facilitate leap, redistributionComment
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BACH | Partita No. 1 in B-flat Major, BWV 825: Allemande: mm. 22–23

Solo PianoMichael ClarkApril 27, 2020Johann Sebastian Bach, Partita No. 1 in B-flat Major, Michael Clark, awkward passagework, redistribution, reduce position shifts, avoid finger crossing
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BARBER | Hermit Songs, Op. 29: III. St. Ita's Vision: mm. 28–31

Art SongMichael ClarkFebruary 18, 2020Samuel Barber, Hermit Songs, Michael Clark, art song, maintain technical pattern, redistribution, use stronger fingers
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