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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

RAVEL | Sonatine: III. mm. 1–3

 
Piano fingerings for Sonatine by Maurice Ravel

“Taking the D-sharp in the right hand helps to keep the layers of sound distinct: the left hand plays only the accented quarter notes, and the right hand plays the sixteenth notes.

Submitted by Michael Clark

Published 1/11/2020

 
Solo PianoMichael ClarkApril 27, 2017Maurice Ravel, Sonatine, Michael Clark, improve voicing, redistributionComment
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RAVEL | Sonatine: II. mm. 26–32

Solo Piano, Special CollectionMichael ClarkApril 27, 2017Maurice Ravel, Sonatine, Dorothy Brandwein, redistribution, improve legato, avoid finger crossing
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RAVEL | Sonatine: III. mm. 18–21

Solo Piano, Special CollectionMichael ClarkApril 27, 2017Maurice Ravel, Sonatine, Dorothy Brandwein, redistribution, reduce reach across body, awkward passagework, divide more evenly between hands
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