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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

RAVEL | Sonatine: III. mm. 104–6

 
Piano fingerings for Sonatine by Maurice Ravel

“Playing the low D in the upper staff with the right hand requires overlapping with the left hand. I play it with the left hand, which is more comfortable, and I can still achieve the desired voicing.”

Submitted by Michael Clark

Published 1/11/2020

 
Solo PianoMichael ClarkApril 27, 2017Maurice Ravel, Sonatine, Michael Clark, reduce position shifts, redistribution, avoid crowdingComment
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RAVEL | Sonatine: III. mm. 104–6

Solo Piano, Special CollectionMichael ClarkApril 27, 2017Maurice Ravel, Sonatine, Dorothy Brandwein, redistribution, reduce position shifts, avoid stretch, split large chord
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RAVEL | Sonatine: III. mm. 112–13

Solo Piano, Special CollectionMichael ClarkApril 27, 2017Maurice Ravel, Sonatine, Dorothy Brandwein, redistribution, avoid stretch, avoid roll, split large chord
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