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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

RAVEL | Miroirs: Alborada del gracioso: mm. 220–24

Piano fingerings for Alborada del gracioso from Miroirs by Maurice Ravel

“Taking the G in the left hand eliminates a position in the right hand and allows just enough rest to facilitate the climactic speed and power required of the passage.”

Submitted by Michael Clark

Published on 1/10/2020

Solo PianoMichael ClarkApril 25, 2017Maurice Ravel, Miroirs, Michael Clark, avoid crowding, reduce position shifts, redistribution, Alborada del graciosoComment
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RAVEL | Miroirs: Alborada del gracioso: mm. 215–15

Solo Piano, Special CollectionMichael ClarkApril 25, 2017Maurice Ravel, Miroirs, Alborada del gracioso, Dorothy Brandwein, redistribution, reduce position shifts, facilitate leap
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RAVEL | Miroirs: La Vallée des cloches: mm. 19–21

Solo Piano, Special CollectionMichael ClarkApril 25, 2017Maurice Ravel, Miroirs, La Vallée des cloches, Dorothy Brandwein, redistribution, improve legato, improve voicing, split octaves
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