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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

RAVEL | Miroirs: Alborada del gracioso: mm. 212–23

 
Piano fingerings for Alborada del gracioso from Miroirs by Maurice Ravel

“Redistributing these grace notes as indicated above allows for a stronger left-hand fingering and sets up a serviceable hand-over-hand fingering on the descending arpeggio.”

Submitted by Michael Clark

Published on 1/10/2020

 
Solo PianoMichael ClarkApril 25, 2017Maurice Ravel, Miroirs, arpeggios, Michael Clark, redistribution, maximize power, grace note(s), use stronger fingers, Alborada del graciosoComment
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RAVEL | Miroirs: Alborada del gracioso: mm. 200–1

Solo Piano, Special CollectionMichael ClarkApril 25, 2017Maurice Ravel, Miroirs, Alborada del gracioso, Dorothy Brandwein, redistribution, avoid stretch, use stronger fingers
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RAVEL | Miroirs: Alborada del gracioso: m. 212

Solo Piano, Special CollectionMichael ClarkApril 25, 2017Maurice Ravel, Miroirs, Alborada del gracioso, Dorothy Brandwein, redistribution, arpeggios, use stronger fingers, divide more evenly between hands
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