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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BARTÓK | Suite, Op. 14: III. 82–84

 
Piano fingerings for Suite, Op. 14, by Béla Bartók

“Using the right to launch this pattern avoids starting with the left-hand crossing over finger 2 which I finding unnecessarily awkward.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkDecember 26, 2019Béla Bartók, Suite (Op. 14), Michael Clark, redistribution, avoid finger crossing, two-hand start
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BARTÓK | Suite, Op. 14: III. 70–78

Solo PianoMichael ClarkDecember 26, 2019Béla Bartók, Suite (Op. 14), Michael Clark, split large chord, redistribution, avoid stretch
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BARTÓK | Suite, Op. 14: III. 115–16

Solo PianoMichael ClarkDecember 26, 2019Béla Bartók, Suite (Op. 14), Michael Clark, redistribution, maintain technical pattern
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