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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BARTÓK | Suite, Op. 14: III. 115–16

 
Piano fingerings for Suite, Op. 14, by Béla Bartók

“The right hand has already established the pattern of sliding from the B-flat octave to the A octave, so I find it simpler to continue the pattern into the final measure.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkDecember 26, 2019Béla Bartók, Suite (Op. 14), Michael Clark, redistribution, maintain technical pattern
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BARTÓK | Suite, Op. 14: III. 82–84

Solo PianoMichael ClarkDecember 26, 2019Béla Bartók, Suite (Op. 14), Michael Clark, redistribution, avoid finger crossing, two-hand start
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BARTÓK | Suite, Op. 14: III. 120–21

Solo PianoMichael ClarkDecember 26, 2019Béla Bartók, Suite (Op. 14), Michael Clark, facilitate leap, redistribution
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