SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 27, 100.
27: “The following measures taken from ‘Scarbo’ can be fingered for one chord position which is the same for both hands.”
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 31, 100.
30: “Divisi fingering should always be considered in situations where one hand remains static while the other is involved with fast-moving figuration. Such passages as those in Example 12 flow more easily by using less right or left hand motion.”
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 31, 100.
30: “Divisi fingering should always be considered in situations where one hand remains static while the other is involved with fast-moving figuration. Such passages as those in Example 12 flow more easily by using less right or left hand motion.”
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 100.
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 100.
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 100.
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 101.
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 101.
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 101.
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 33, 101.
33: “The passage-work in Example 15 is often performed with inadequate clarity and speed. Notes can be redistributed, as shown, to allow more time to cross the hands over and under one another.”
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 101.
Submitted by Todd Van Kekerix
Published on 1/21/2020
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 101
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 102.
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 102.
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 43, 102.
43: “The measures from ‘Scarbo’ in Example 24 contain simultaneous leaps on both staffs. If the left hand is allowed to play the octave preceding the bar line, the right hand can more securely land on and execute the tumbling figuration at a forte dynamic.”
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/29/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 43, 102.
43: “The measures from ‘Scarbo’ in Example 24 contain simultaneous leaps on both staffs. If the left hand is allowed to play the octave preceding the bar line, the right hand can more securely land on and execute the tumbling figuration at a forte dynamic.”
SPECIAL COLLECTION | Dorothy Brandwein’s Ravel Fingerings
Published on 4/30/2022 with the author’s permission
First appeared in Dorothy Woster Brandwein, "Divisi Fingering in Selected Passages from Ravel's Solo Piano Works" (DMA diss., University of Missouri–Kansas City, 1981), 102.