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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BEETHOVEN | Sonata in F Minor, Op. 57: II. mm. 13–16

 
Piano fingerings for Sonata in F Minor, Op. 57 ("Appassionata"), by Ludwig van Beethoven

“Dividing the chord this way eliminates the leap in the right hand, allowing a secure and accurate performance of the double-dotted rhythm.”

Submitted by Michael Clark with thanks to Robert Roux

Published on 1/1/2020

 
Solo PianoMichael ClarkOctober 11, 2019Ludwig van Beethoven, Michael Clark, facilitate leap, redistribution, Piano Sonata in F Minor (Op. 57)
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BEETHOVEN | Sonata in F Minor, Op. 57: I. 227–34

Solo PianoMichael ClarkOctober 11, 2019Ludwig van Beethoven, arpeggios, Michael Clark, redistribution, Piano Sonata in F Minor (Op. 57)
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BEETHOVEN | Sonata in F Minor, Op. 57: II. mm. 52–53

Solo PianoMichael ClarkOctober 11, 2019Ludwig van Beethoven, Michael Clark, awkward passagework, redistribution, Piano Sonata in F Minor (Op. 57), avoid finger crossing
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