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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BEETHOVEN | Sonata in F Minor, Op. 57: I. mm. 21–22

 

“This fingering allows the trill to played with strong fingers. Taking the first of the fortissimo chords with the left hand more evenly distributes the chords rhythmically and avoids an unnecessary leap.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkOctober 11, 2019Ludwig van Beethoven, Michael Clark, facilitate leap, trill, redistribution, Piano Sonata in F Minor (Op. 57)
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BEETHOVEN | Sonata in F Minor, Op. 57: I. mm. 14–15

Solo PianoMichael ClarkOctober 11, 2019Ludwig van Beethoven, arpeggios, Michael Clark, maximize power, redistribution, Piano Sonata in F Minor (Op. 57)
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BEETHOVEN | Sonata in F Minor, Op. 57 ("Appassionata"): I. mm. 25–30

Solo PianoMichael ClarkOctober 11, 2019Ludwig van Beethoven, Piano Sonata in F Minor (Op. 57), Michael Lenahan, redistribution, repeated notes, hand crossing, avoid crowding
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