Piano Tricks
Contributors Technical Categories Submit Ideas Search
All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf
Brandwein's Ravel Fingerings
How It Works Who We Are
Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

COPLAND | Piano Sonata: III. mm. 33–38

 
Piano fingerings for Piano Sonata by Aaron Copland

“The C in m. 36 should be struck by the right hand and then silently transferred to the left hand, allowing seamless legato in all parts.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkApril 13, 2019Aaron Copland, Piano Sonata (1941), Silent hand transfer, Share Middle Voice Between Hands, Michael Clark, redistribution
Facebook0 Twitter 0 Likes
Previous

COPLAND | Piano Sonata: I. mm. 217–20

Solo PianoMichael ClarkApril 13, 2019Aaron Copland, Piano Sonata (1941), Silent hand transfer, Michael Clark, avoid crowding, redistribution
Next

COPLAND | Old American Songs: At the River: mm. 6–7

Art SongMichael ClarkApril 10, 2019Aaron Copland, Old American Songs, Michael Clark, art song, avoid stretch, redistribution, split large chord
HomeHow It WorksWho We AreSubmit IdeasRequest Ideas