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Brandwein's Ravel Fingerings
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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

COPLAND | Piano Sonata: I. mm. 93–97

 
Piano fingerings for Piano Sonata by Aaron Copland

“I find that I can play the third at maximum volume more securely with two hands.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkApril 13, 2019Aaron Copland, Piano Sonata (1941), Michael Clark, maximize power, redistribution
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COPLAND | Piano Sonata: I. mm. 50–57

Solo PianoMichael ClarkApril 13, 2019Aaron Copland, Piano Sonata (1941), Michael Clark, avoid stretch, improve legato, redistribution
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COPLAND | Piano Sonata: I. mm. 112–13

Solo PianoMichael ClarkApril 13, 2019Aaron Copland, Piano Sonata (1941), Michael Clark, facilitate leap, redistribution
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