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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

COPLAND | Piano Sonata: I. mm. 14–16

 
Piano fingerings for Piano Sonata by Aaron Copland

“The A-flat and C-flat are within the hand position of the held F octave in the right hand, so it’s much less crowded to simply take these notes in the right hand and finish the gesture with the left.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkApril 13, 2019Aaron Copland, Piano Sonata (1941), Michael Clark, avoid crowding, redistribution, hand crossing
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Copland: Piano Variations: mm. 365–68

Solo PianoMichael ClarkApril 28, 2019Aaron Copland, Piano Variations, Michael Clark, maximize power, redistribution
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COPLAND | Piano Sonata: I. mm. 33–36

Solo PianoMichael ClarkApril 13, 2019Aaron Copland, Piano Sonata (1941), Michael Clark, split large chord, redistribution
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