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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

SCHUBERT | Piano Sonata in B-flat Major, D. 960: I. mm. 97–99

 

“Taking the alto notes with the left hand assimilates the first half of the measure with the second which I find both mentally and physically simpler.”

Submitted by Michael Clark

Published 1/1/2020

 
Solo PianoMichael ClarkDecember 1, 2016Franz Schubert, Michael Clark, facilitate leap, redistribution, Piano Sonata in B-flat Major (D. 960), maintain technical pattern
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SCHUBERT | Fantasy in F Minor for Four Hands, D. 940: mm. 543–52

Four HandsMichael ClarkDecember 4, 2016Franz Schubert, Fantasy in F Minor for Four Hands (D. 940), Michael Clark, final octave, four hands, redistribution, facilitate leap, maintain technical pattern, stagger position shifts
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SCHUBERT | Piano Sonata in B-flat Major, D. 960: IV. 160–63

Solo PianoMichael ClarkDecember 1, 2016Franz Schubert, Michael Clark, scale, redistribution, Piano Sonata in B-flat Major (D. 960), use stronger fingers
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