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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

SCHUBERT | Piano Sonata in A Major, D. 664: I. mm. 43–44

 

“Assimilating the treble E into the left-hand chord allows the right hand to prepare for a graceful delivery of the next gesture.”

Submitted by Michael Clark with thanks to Nancy Weems

Published on 1/1/2020

 
Solo PianoMichael ClarkDecember 15, 2016Franz Schubert, Michael Clark, redistribution, Piano Sonata in A Major (D. 664), facilitate leap
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SCHUBERT | Piano Sonata in A Major, D. 664: I. mm. 30–31

Solo PianoMichael ClarkDecember 15, 2016Franz Schubert, Piano Sonata in A Major (D. 664), Michael Clark, avoid crowding, redistribution
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SCHUBERT | Piano Sonata in A Major, D. 664: I. mm. 48–49

Solo PianoMichael ClarkDecember 15, 2016Franz Schubert, Michael Clark, redistribution, Piano Sonata in A Major (D. 664), avoid stretch
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