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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BRAHMS | Sonata in F Minor for Clarinet and Piano, Op. 120, No. 1: I. 1–4

 
Piano fingerings for Sonata for Clarinet and Piano, Op. 120, No. 1, by Johannes Brahms

“Dividing these octaves between the hands facilitates legato without excessive pedal.”

Submitted by Michael Clark

Published on 1/1/2020

 
Chamber MusicMichael ClarkAugust 2, 2019Johannes Brahms, Clarinet Sonata in F Minor (Op. 120/1), Michael Clark, split 3-voice octaves, redistribution, improve legato
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BRAHMS | Intermezzo in E-flat Minor, Op. 118, No. 6: mm. 71–74

Solo PianoMichael ClarkAugust 4, 2019Johannes Brahms, Klavierstücke (Op. 118), Michael Clark, avoid stretch, redistribution, wide accompaniment pattern
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BRAHMS | Sonata in F Minor for Clarinet and Piano, Op. 120, No. 1: I. 29–35

Chamber MusicMichael ClarkAugust 2, 2019Johannes Brahms, Clarinet Sonata in F Minor (Op. 120/1), Michael Clark, redistribution, avoid crowding
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