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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

COPLAND | Piano Variations: mm. 8–10

 
Piano fingerings for Piano Variations by Aaron Copland

“Switching the E to the right hand eliminates a stretched position in the left hand. More compact positions allow a more forceful delivery.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkApril 28, 2019Aaron Copland, Piano Variations, Michael Clark, split large chord, redistribution, avoid stretch, maximize power
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COPLAND | Piano Variations: mm. 1-5

Solo PianoMichael ClarkApril 28, 2019Aaron Copland, Piano Variations, Michael Clark, redistribution
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COPLAND | Piano Variations: mm. 47–48

Solo PianoMichael ClarkApril 28, 2019Aaron Copland, Piano Variations, Michael Clark, redistribution, avoid stretch
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