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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BARTÓK | Mikrokosmos, No. 148: Six Dances in Bulgarian Rhythm: mm. 55–56

 
Piano fingerings for Six Dances in Bulgarian Rhythm by Béla Bartók

“Taking the F-double-sharp in the left hand allows the right hand to maintain a more compact hand shape and thus provides a more powerful delivery.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkDecember 5, 2019Béla Bartók, Mikrokosmos, Michael Clark, split large chord, redistribution, maximize power
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BARTÓK | Mikrokosmos, No. 148: Six Dances in Bulgarian Rhythm: mm. 32–35

Solo PianoMichael ClarkDecember 5, 2019Béla Bartók, Mikrokosmos, Share Middle Voice Between Hands, Michael Clark, improve legato, redistribution
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BEETHOVEN | Sonata in A Major, Op. 2, No. 2: IV. mm. 118–19

Solo PianoMichael ClarkOctober 30, 2019Ludwig van Beethoven, Michael Lenahan, scale, reduce position shifts, break up running passage, Piano Sonata in A Major (Op. 2/2)
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