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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BARBER | Nocturne, Op. 33: mm. 19–24

 

“Taking the marked notes in the left hand allows the middle voice to be played legato without stretching.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkFebruary 15, 2020Samuel Barber, Nocturne (Op. 33), Michael Clark, avoid stretch, redistribution, improve legato, Share Middle Voice Between Hands
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BARBER | Hermit Songs: V. The Crucifixion: m. 15

Art SongMichael ClarkFebruary 18, 2020Samuel Barber, Hermit Songs, Wade Troyer, redistribution, avoid hand crossing
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BARBER | Nocturne, Op. 33: m. 45

Solo PianoMichael ClarkFebruary 15, 2020Samuel Barber, Nocturne (Op. 33), Michael Clark, facilitate clearer pedaling, redistribution, hand crossing
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