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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

R. SCHUMANN | Piano Concerto in A Minor, Op. 54: III. mm. 807–11

 

“I find using ‘double thumbs’ absolutely essential in this treacherous passage.”

Submitted by Michael Clark with thanks to Robert Roux

Published on 1/1/2020

 
Piano ConcertoMichael ClarkOctober 6, 2016Robert Schumann, Piano Concerto in A Minor (Op. 54), Michael Clark, double 5, double thumb, fingering only, awkward passagework, Op. 54–2
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R. SCHUMANN | Piano Concerto in A Minor, Op. 54: III. mm. 795–802

Piano ConcertoMichael ClarkOctober 6, 2016Robert Schumann, Piano Concerto in A Minor (Op. 54), Michael Clark, fingering only, use stronger fingers, Op. 54–2
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R. SCHUMANN | Piano Concerto in A Minor, Op. 54: III. mm. 820–30

Piano ConcertoMichael ClarkOctober 6, 2016Robert Schumann, Piano Concerto in A Minor (Op. 54), arpeggios, Michael Clark, facilitate leap, redistribution, Op. 54–2
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