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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

BEETHOVEN | Sonata in E-flat Major, Op. 27, No. 1: I. mm. 45–47

 
Piano fingerings for Piano Sonata in E-flat Major, Op. 27, No. 1, by Ludwig van Beethoven

“Taking the first notes of each group with the left hand limits the right-hand figure to only two positions.”

Submitted by Michael Clark with thanks to Nancy Weems

Published on 1/1/2020

 
Solo PianoMichael ClarkOctober 20, 2019Ludwig van Beethoven, Michael Clark, redistribution, Piano Sonata in E-flat Major (Op. 27/1), reduce position shifts, two-hand start
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BEETHOVEN | Sonata in E-flat Major, Op. 27, No. 1: I. mm. 15–16

Solo PianoMichael ClarkOctober 20, 2019Ludwig van Beethoven, Share Middle Voice Between Hands, Michael Clark, improve legato, redistribution, Piano Sonata in E-flat Major (Op. 27/1)
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BEETHOVEN | Sonata in E-flat Major, Op. 27, No. 1: II. 71–73

Michael ClarkOctober 20, 2019Ludwig van Beethoven, Michael Clark, redistribution, Piano Sonata in E-flat Major (Op. 27/1)
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