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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

R. SCHUMANN | Piano Concerto in A Minor, Op. 54: I. mm. 128–31

 
Piano fingerings for Piano Concerto in A Minor, Op. 54, by Robert Schumann

“Splitting the tenor line between the thumbs ensures it is well projected and eliminates potential rolls or stretches in the left hand.”

Submitted by Michael Clark

Published on 1/1/2020

 
Piano ConcertoMichael ClarkOctober 6, 2016Robert Schumann, Piano Concerto in A Minor (Op. 54), Share Middle Voice Between Hands, split large chord, redistribution, avoid roll, improve voicing, Op. 54–I
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R. SCHUMANN | Piano Concerto in A Minor, Op. 54: I. mm. 103–4

Piano ConcertoMichael ClarkOctober 6, 2016Robert Schumann, Piano Concerto in A Minor (Op. 54), Michael Clark, facilitate leap, redistribution, Op. 54–I
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R. SCHUMANN | Piano Concerto in A Minor, Op. 54: I. mm. 175–77

Piano ConcertoMichael ClarkOctober 6, 2016Robert Schumann, Piano Concerto in A Minor (Op. 54), Michael Clark, redistribution, improve voicing, improve legato, Op. 54–I
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