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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

R. SCHUMANN | Fantasiestücke, Op. 12: V. In der Nacht: mm. V. 174–76

 
 

“I find that taking the E-flat in the left makes the leap more secure and gives me more control over voicing.”

Submitted by Michael Clark

Published on 1/1/2020

Solo PianoMichael ClarkOctober 20, 2016Robert Schumann, Fantasiestücke (Op. 12), Michael Clark, facilitate leap, redistribution, improve voicing
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R. SCHUMANN | Fantasiestücke, Op. 12: V. In der Nacht: mm. 122–34

Solo PianoMichael ClarkOctober 20, 2016Robert Schumann, Fantasiestücke (Op. 12), Michael Clark, facilitate leap, redistribution, reduce position shifts
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R. SCHUMANN | Fantasiestücke, Op. 12: V. In der Nacht: mm. 220–23

Solo PianoMichael ClarkOctober 20, 2016Robert Schumann, Fantasiestücke (Op. 12), Michael Clark, maximize power, sostenuto pedal, redistribution, sustain bass note
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