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Composers All Composers Addinsell Albéniz Arditi Argento Bach Barber Bartók Beethoven Ben-Haim Bizet Bonds Boulanger Brahms Carter Chopin Copland Danielpour Debussy Donaudy Fauré Franck Gershwin Ginastera Granados Grieg Hahn Handel Haydn Hopekirk Ives Janáček Kaprávolá Liszt Martinu Mendelssohn Mozart Obradors Poulenc Price Prokofiev Rachmaninoff Ravel Rodrigo Rossini Saint-Saëns Sancan Schubert Schulhoff R. Schumann Scriabin Shostakovich Sisco Strauss Tchaikovsky Tosti Vaughan Williams Vine Weber Wolf ContributorsTechnical Categories Special Collections Brandwein's Ravel Fingerings Submit Ideas About How It Works Who We Are Search
Piano Tricks
fingerings reimagined

R. SCHUMANN | Fantasiestücke, Op. 12: II. Aufschwung: mm. 71–74

 

“Taking the Gs as an octave gives the left hand extra time for its position shift.”

Submitted by Michael Clark

Published on 1/1/2020

 
Solo PianoMichael ClarkOctober 20, 2016Robert Schumann, Fantasiestücke (Op. 12), Michael Clark, facilitate leap, redistribution
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R. SCHUMANN | Fantasiestücke, Op. 12: II. Aufschwung: mm. 67–70

Solo PianoMichael ClarkOctober 20, 2016Robert Schumann, Fantasiestücke (Op. 12), Michael Clark, avoid stretch, redistribution
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R. SCHUMANN | Fantasiestücke, Op. 12: III. Warum?: mm. 39–42

Solo PianoMichael ClarkOctober 20, 2016Robert Schumann, Fantasiestücke (Op. 12), Michael Clark, avoid crowding, redistribution, uncross
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